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With a strong underground scene, and new parties popping up every week, London it seems, is still the capital of clubland.
It may be bonkers, but happy hardcore is one of the most popular sounds in dance music, and 2006 looks like it could be the best ever for the genre. DJmag.com investigates...
Following the special souvenir Danny Rampling issue of DJmag, guest editor Danny inteviews Layo & Bushwacka!. Extra questions not in the magazine.
Creamfields Buenos Aires is now the biggest Creamfields in the world. DJmag's South American correspondent Katrin Richter reports from the festival.
London club Turnmills has launched an innovative, interactive online fanzine, that highlights its new club projects for 2006.
Luke Dzierzek uses Ableton Live to produce all his tracks. Here he guides DJmag.com through how to make a tune from start to finish using the software.
Techno pioneer Richie Hawtin has revealed he's seeking touch-screen technology to control software program Ableton Live for DJing purposes.
Could a panel of industry professionals tell the difference between the different compressed audio formats of mp3, AAC, WMA, and Vorbis? DJmag put five experts to the test through the infamous system at London club Fabric.
The End celebrates its tenth birthday this year. Listen to a recording of Laurent Garnier's first ever eight hour set from the club, and win tickets to its week-long festival.
DJmag.com catches up with one of dance music's youngest stars, 20-year-old John Dählback, to discuss family rivalries, and remixing Crazy Frog.