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Birmingham
Tickets for the rescheduled event are available now
The highly anticipated album features collaborations with Jordan Rakei, O’Flynn and Jamila Woods
The images were captured by legendary fashion eye Terence Donovan shortly before his death
Kicking off in Cardiff, finishing in London, dates begin mid-November next year
It also features contributions by Mel B, Paul O'Grady, Boy George and more
Jordan Rakei, O'Flynn, Jamila Woods, and Kadhja Bonet all appear on the album, with a world tour to follow
Preditah records a dancefloor-focused mix for the On Cue series, and tells Ria Hylton about working with Jorja Smith, the importance of music theory, and how lockdown made him up his game
Whether he’s making garage, bassline, tech-house or grime, DJ and producer Preditah’s sound is unmistakable. With his new tunes ‘Glucose’ and ‘Don’t Cry’ making waves, he records a dancefloor-focused mix for the On Cue series, and tells Ria Hylton about working with Jorja Smith, the importance of music theory, and how lockdown made him up his game
BTN is relaunching after a 12 year hiatus
Jeddah-born, Dublin-based Moving Still delivers a dazzling cosmic disco edit of Pakistani-British duo Nermin Niazi and Feisal Mosleh’s 1984 track ‘Sari Sari Raat’ for Discostan Records
On their new album, ‘Honest Labour’, Berlin and Manchester-based duo Space Afrika sculpt an experimental electronic sound driven by a desire to break free of genre lines, subtly informed by memories of being young, Black and working class in northern England. Speaking to DJ Mag, the pair discuss the importance of developing artistically on one’s own terms, the influence of Channel U on their ethos, and the beauty of creating undefinable music
On their new album, ‘Honest Labour’, Berlin and Manchester-based duo Space Afrika sculpt an experimental electronic sound driven by a desire to break free of genre lines, subtly informed by memories of being young, Black and working class in northern England. Speaking to DJ Mag, the pair discuss the importance of developing artistically on one’s own terms, the influence of Channel U on their ethos, and the beauty of creating undefinable music